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Organizations
Association des Cinémathèques Européennes (ACE)
Address:
Deutsches Filminstitut - DIF, Schaumainkai 41,
60596 Frankfurt am Main, Germany
Phone number:<<<+49-69 961 22 00
Fax number: +49-69 62 00 60
E-mail: dillmann@deutsches-filminstitut.de
URL: http://www.ace-film.de/
Person to contact: Claudia Dillmann, President
Information: The Association of European Cinémathèques (ACE) is an affiliation of over 30 national and regional preservation film archives from all over Europe. Its joint role is to protect the European film heritage and to assure that the audio-visual records of our century survive to be enjoyed and studied for generations to come. Recognising that film is essentially trans-national in character and that its problems of survival cannot be solved at national level alone, the founder-members of ACE came together in the late 80s to seek co-operative ways of saving and restoring the European film heritage.
ACE´s main aims are:
- to guarantee the survival of the European film heritage
- to ensure and enhance its continuing visibility on the cinema screen as well as through new moving-image technologies.
(Last update:
22-01-2007)
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Association Eurpéenne Inédits (European Association Inedits)
E-mail: inedits@skynet.be
URL: http://www.aeinedits.org/en/
Information: The association has a network of members from the academic, media and archive professions. Its website aims to be a meeting place for the exchange of questions and ideas associated with the preservation, study and re-use of moving images produced by amateurs: the 'INEDITS'.
(Last update:
1-05-2000)
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Association for Recorded Sound Collections
Address:
P.O. Box 543,
Annapolis, MD 21404-0543, USA
E-mail: shambarger@sprynet.com
URL: http://www.arsc-audio.org
Person to contact: Peter Shambarger
Information: Founded in 1966, the Association for Recorded Sound Collections (ARSC) is a non-profit organization dedicated to research, study, publication, and information exchange surrounding all aspects of recordings and recorded sound. With over one thousand members from twenty-three countries, the organization is comprehensive in scope and reflects the interests and concerns of its members, including:collectors, dealers, appraisers, archivists, librarians, historians, musicians, students, discographers, reviewers, media producers and recording engineers.
Through publications, grants and awards, conferences, and the work of its committees, the Association provides a forum for the development and dissemination of discographic information in all fields and periods of recording and in all sound media. In addition, ARSC works to encourage the preservation of historical recordings, to promote the exchange and dissemination of research and information about them, and to foster an increased awareness of the importance of recorded sound as part of any cultural heritage.
(Last update:
1-05-2000)
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Association of Moving Image Archivists' Amateur Film/Small Gauge Interest Group
Address:
1313 N Vine Street,
Hollywood CA 90028
E-mail: amia@amianet.org
URL: http://www.amianet.org/committees/Interest/SmallGauge/about.html
Information: The Small Gauge and Amateur Film interest group was created in 2001 to continue the work begun by AMIA's Small Gauge Task Force and Inédits interest group. Its mission is to promote and protect the interests of small gauge and amateur film, its creators, and its advocates. The website offers references to useful literature, a mailing list and other information, especially focused on 8mm, super 8mm and 16mm amateur film.
(Last update:
1-05-2000)
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Co-ordinating Council of Audiovisual Archives Associations (CCAAA)
E-mail: convenor@ccaaa.org
URL: http://www.ccaaa.org/
Information: CCAAA represents the interests of worldwide professional archive organisations with interests in audiovisual materials including films, broadcast television and radio, and audio recordings of all kinds. Although predominantly working in the public sector, the CCAAA reflects a broad range of interests across the broadcast media, arts, heritage, education and information sectors. The professional archivists that CCAAA ultimately represents work in institutions such as archives, libraries and museums at national and local level, university teaching and research departments, and broadcasting organisations.
(Last update:
1-05-2000)
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European Assocation Inédits
Address:
129 Chaussée de Charleroi,
1060 Bruxelles
Phone number:<<<++32-(0)2 344 64 44
Fax number: ++32-(0)2 344 76 89
E-mail: aei@skynet.be
URL: http://www.aeinedits.org
Information: The AEI (Asscociation Européenne Inédits) was founded in Paris in 1991. Its main task is to promote amateur film in Europe by organizing events, doing research and establishing a network of professionals from archives, universities and television producers.
(Last update:
1-05-2000)
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European Association of Social Anthropologists, Visual Anthropology Network
E-mail: beate.engelbrecht@iwf.de or s.pink@derby.ac.uk
URL: http://www.iwf.de/easa/easa.html
Information: A Visual Anthropology Network was established at a meeting attended by 15 EASA members at the 1996 Conference in Barcelona. Subsequently a planning meeting was held at which the interests, organisational structure, communications system, and immediate activities of the network were agreed and set out. The Network aims to cover all aspects of Visual Anthropology, although the principal interests of its current members focus largely on photography, ethnographic film and multimedia. The network will be organised on the basis of national sub-networks to be set up by a representative in each country, see the list of Representatives of national sub-networks: www.iwf.de/easa/organ/index.htm
(Last update:
1-05-2000)
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European Multimedia Forum (EMF)
Address:
55, rue Hector Denis,
B - 1050 Brussels
Phone number:<<<+32 2 219 0305
Fax number: +32 2 219 1898
E-mail: info@e-multimedia.org
URL: http://www.e-multimedia.org
Information: The EUROPEAN MULTIMEDIA FORUM is the main European not-for-profit organisation promoting the competitiveness of the converging digital media industries in the global market place. Its main objectives are to encourage the international expansion of the digital media industries by offering preferential services, facilitating contacts and exchanges, providing visibility to key players in key markets, making available an international support network of associations and advisors. Through the European Multimedia Associations Convention, the EMF reaches out to a network of more than 5000 digital media companies throughout Europe.
(Last update:
16-01-2001)
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Féderation Internationale des Archives de Television (FIAT)
Address:
FIAT/IFTA,
NO-0340 Oslo, Norway
E-mail: General.Secretary@fiatifta.org
URL: http://fiatifta.org/
Information: Féderation Internationale des Archives de Television (FIAT), was founded in 1977 and has some 60 member
institutions. The majority are associated with television broadcasters and provide a specialist film and video archive
service for their parent organization. Most rely on their companies' technical facilities and staff for copying and preservation services. A number of the larger archives are investing in automatic shelving and retrieval systems, and are increasingly involved with the restoration and transfer of video and film recordings to modern formats.
(Last update:
1-05-2000)
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Féderation Internationale des Archives du Film (FIAF)
Address:
1 rue Defacq,
B-1000 Brussels, Belgium
Phone number:<<<++32 2 538 3065
Fax number: ++32 2 534 4774
E-mail: info@fiafnet.org
URL: http://www.fiafnet.org
Information: Féderation Internationale des Archives du Film (FIAF), was founded in 1938 to bring together institutions from all countries dedicated to the collection and preservation of films of both cultural and historic interest. FIAF has 78 institutions in 56 countries. It provides detailed technical information on the properties of materials and principles of preservation, restoration and transfer.
The Federation has three specialist commissions: Cataloging, Documentation and Preservation.The Preservation commission was set up in 1960 to assemble, study and publish the most reliable scientific information related to the storage, preservation and restoration of film and associated sound recordings. It publishes a looseleaf technicalmanual in three languages that covers basic film handling; the design and layout of film storage facilities; handling and storage of nitrate films; the stability of color films; prevention and treatment of bacterial and fungal attacks; and the preservation and storage of magnetic materials.
(Last update:
1-05-2000)
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International Association of Sound and Audiovisual Archives (IASA)
Address:
c/o Statsbiblioteket, Universitetsparken,
DK--8000 Aarhus C, Denmark
Phone number:<<<++45-89 46 20 51
Fax number: ++45-89 46 20 50
E-mail: efj@statsbiblioteket.dk
URL: http://www.iasa-web.org/
Person to contact: Eva Fønss-Jørgensen, Secretary General
Information: The Association is controlled by an elected Executive Board, supported by a number of committees with special subject interests in Cataloguing and Documentation, Discography, Legal and Ethical issues, National Archives, Radio Sound Archives, Technical, and Training matters. IASA committees work on specialised topics independently and in conjunction with other interested audiovisual archive associations. The constitution of IASA provides for national branches, as well as affiliated organisations represented in the National and Affiliated Organisations Committee (NAOC).
(Last update:
1-05-2000)
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International Council for Traditional Music
Address:
ICTM Secretariat, Australian National University, Building 100,
Canberra, A.C.T. 0200
Phone number:<<<+61 2 612 51449
Fax number: +61 2 612 59775
E-mail: secretariat@ictmusic.org
URL: http://www.ictmusic.org/ICTM/
Information: The aims of the ICTM are to further the study, practice, documentation, preservation and dissemination of traditional music, including folk, popular, classical and urban music, and dance of all countries.
(Last update:
1-05-2000)
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International Council on Archives (ICA)
Address:
60 rue des Francs-Bourgeois,
F-75003 Paris
Phone number:<<<++33-1-40 27 63 06
Fax number: ++33-1-42 72 20 65
E-mail: ica@ica.org
URL: http://www.ica.org/
Person to contact: Joan van Albada, Secretary General
Information: The International Council on Archives (ICA) is dedicated to the advancement of archives worldwide. Archives, by providing evidence of human activities and transactions, underlie the rights of individuals and States, and are fundamental to democracy and good governance. Archives safeguard the memory of mankind by preserving records of its past. In pursuing the advancement of archives, ICA works for the protection and enhancement of the memory of the world.
Mission of ICA: the advancement of archives through international co-operation.
It achieves this by:
- encouraging the development of archives in all countries, in order to ensure the preservation of the archival heritage of humanity
- facilitating the training of new archivists and conservators and the continuing education of working archivists and conservators
- promoting the implementation of the professional code of conduct (code of ethics)
- promoting activities in the field of records and archives management at an the international level
- developing relations between archivists of all countries and between all institutions which are concerned with the administration or preservation of records and archives or the professional training of archivists
- facilitating the use of archival documents by making their contents more widely known and encouraging greater ease of access.
(Last update:
1-05-2000)
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Memoriav - Association for the Preservation of the Audiovisual Heritage of Switzerland
Address:
Effingerstr. 92,
CH-3008 Bern, Switzerland
Phone number:<<<++41-31-380 10 80
Fax number: ++41-31-380 10 81
E-mail: infos@memoriav.ch
URL: http://www.memoriav.ch
Information: Memoriav is a national association concerned with the preservation of Swiss audiovisual heritage. The association was founded in 1995 by several Swiss organizations in an attempt to promote the collection, preservation and accessing of audiovisual documents.
Main activities:
Memoriav manages and supports projects related to the preservation of the audiovisual heritage, and which concern the domains of photography, sound, film and video. These projects offer a wide range of activities, from setting up inventories to the realisation of computerised catalogues, from technological research to the conception of pilot projects, and above all preventative measures and operations for the restoration of particular collections and resources. Improved accessibility of audiovisual archives and items, and the attribution of their true value are common objectives to all projects.The Memoriav network is intended as an interface for communication between people and institutions. Heightening of public awareness is also a permanent task of Memoriav (manifestations, publications, exhibits, and direct contacts)
Selected Publications:
- Information Bulletin (published one or two times a year)
- Poster: List of projects supported by Memoriav (in French and German)
- Recommendations for the preservation of photographic materials (09/2002 - in French and German)
- Recommendations for the preservation of films (09/2000 - in French and German)
(Last update:
14-11-2000)
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ScreenSound Australia, the National Screen and Sound Archive
Address:
McCoy Circuit,
ACTON ACT 2601
Phone number:<<<++61-2-62 48 20 00
Fax number: ++61-2-62 48 22 22
E-mail: enquiries@screensound.gov.au
URL: http://www.screensound.gov.au/
Information: ScreenSound Australia is the national audiovisual archive, playing a key role in documenting and interpreting the Australian experience and actively contributing to the development of Australia's audiovisual industry. It collects, stores, preserves and makes available screen and sound material relevant to Australia's culture. Through its skills and services it complements documentary heritage collections. It makes its collection available through exhibitions, screenings, the ScreenSound website, travelling shows, video and audio products, live presentations, education programs, and television and radio productions.
The organisation's headquarters are in Canberra, with offices in Melbourne and Sydney, and representation in Adelaide, Brisbane, Hobart and Perth.
(Last update:
1-05-2000)
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The Association of Moving Image Archivists (AMIA)
Address:
1313 N. Vine Street,
Hollywood, CA 90028, USA
Phone number:<<<323 463-1500
Fax number: 323 463-1506
E-mail: amia@amianet.org
URL: http://www.amianet.org/
Information: The Association of Moving Image Archivists (AMIA) is a non-profit professional association established to advance the field of moving image archiving by fostering cooperation among individuals and organizations concerned with the acquisition, preservation, exhibition and use of moving image materials.
Objectives:
- Provide a regular means of exchanging information, ideas and assistance.
- Take responsible positions on archival matters affecting moving images and related materials.
- Encourage public awareness of and interest in the preservation and use of moving images as an important educational, historical, and cultural resource.
- Promote moving image archival activities, including preservation, cataloging and documentation, and access, through meetings workshops, publications, and direct assistance.
- Support the education and professional development of moving image archivists.
- Develop and promote professional standards and practices for moving image archival materials.
- Stimulate and facilitate research on archival matters affecting moving images.
(Last update:
1-05-2000)
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Projects
AMICITIA
Organisation(s) involved:
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Nederlands Instituut voor Beeld en Geluid (The Netherlands Institute for Sound and Vision)
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Joanneum Research
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British Broadcasting Company (BBC)
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Ostereichische Rundfunk TV archive
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Südwestrundfunk
Address: SAUERWIESEN 2 ,
67661 KAISERSLAUTERN, Germany
Phone number: ++49 1-48-06554745
Contact person: Peter Thomas
E-mail: thomas@medien.tecmath.com
URL: http://www.amicitia-project.de
Project information:
AMICITIA aims at building the base for a continued and viable digital preservation of and access to television and video content through the construction of various vital components enabling a digital archiving system to serve all required roles in ingest, management, access and distribution of audiovisual material. A special focus is placed on enabling remote, multilingual access to archive content stored in a distributed environment. The system will be designed to serve both the needs of professional users (regarding preservation, quality, access flexibility and usability) and the needs of public access (regarding simplicity of use, security and availability). As a demonstration project, AMICITIA aims at getting its results into practical, marketable use as fast as possible through constant usability improvement and a strong orientation towards the fastest possible integration of the AMICITIA results into a marketable product.
(Last update:
15-02-2005)
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Building an Interactive Research and delivery network for Television Heritage (BIRTH)
Organisation(s) involved:
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Nederlands Instituut voor Beeld en Geluid (The Netherlands Institute for Sound and Vision)
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Joanneum Research
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British Broadcasting Company (BBC)
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Ostereichische Rundfunk TV archive
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RTBF
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Südwestrundfunk
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Noterik Multimedia BV
Project information:
The project BIRTH aims at building up a multimedia and multilingual pool of archive material from the first broadcasting days 50 years ago for online access by different user-groups. Audiovisual content as well as accompanying text and photographic material will be collected from a representative number of broadcast archives in order to give attractive online access to the first years of European television-history. Both factual information and the atmospheric "touch" of a new media´s early days will be accessible to the user.
The portal shall be an access point for different media; Moving images, stills, texts and audio-files. Combining to re-construct the development of early television in Europe.
A database is also planned in the project to be a nucleus on the history of "European TV Culture" including early television schedules from TV broadcasters. - This multilingual database along with a distribution platform for professional program exchange will continue after the project as a self funding archive media resource. Working as an online multimedia library granting access to European cultural heritage on the formative years of television.
The project started early 2003 and has a duration of 3 years.
(Last update:
24-02-2005)
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Film restoration & conservation strategics (FIRST)
Organisation(s) involved:
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Institut National de l' Audiovisuel (INA)
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Koninklijk Belgisch Filmarchief (Royal Film Archive of Belgium) (CRB)
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Association des Cinémathèques Européennes (ACE)
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RTBF
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Oesterreichischer Rundfunk (ORF)
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European Multimedia Forum (EMF)
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BELGACOM
Address: Ravenstein, 23,
B-1000 Brussels, Belgium
Phone number: +32 2 5O7 83 70
Fax number: +32 2 513 12 72
Contact person: Royal Film Archive
E-mail: filmarchive@ledoux.be
URL: http://www.film-first.org/
Project information:
FIRST, a EU-funded project that finished in 2004, had the aim of studying the 'state of the Art', of proposing new fields of research, to sketch new economical scenarios, to evaluate existing techniques, to issue recommendations, to propose widely accepted Standards and Best Practices. The original idea was conceived by the Association of the European Archives (ACE) and the Royal Film Archive of Belgium (CRB), and found support as an EU IST Project. FIRST started it's two year programme of work in June 2002.
Within the framework of the project FIRST several state-of-the-art reports were produced, evaluating issues like:
- Archival film digitisation
- Restoration by digital processes
- Storage technologies and
- Cataloguing and retrieval
- Management and retrieval
- Strategies for distribution
- On on-line management and delivery
(Last update:
24-02-2005)
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Preservation towards storage and access. Standardised Practices for Audiovisual Contents in Europe. (PrestoSpace)
Organisation(s) involved:
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Institut National de l' Audiovisuel (INA)
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Nederlands Instituut voor Beeld en Geluid (The Netherlands Institute for Sound and Vision)
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British Broadcasting Company, Information & Archives Department
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Radiotelevisione Italiana (RAI)
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Joanneum Research Forschungsgesellschaft mbH
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Oesterreichischer Rundfunk (ORF)
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University of Sheffield, Computer Science Dept (USFD)
Contact person: Richard Wright
E-mail: richard.wright@bbc.co.uk
URL: http://www.prestospace.org/
Project information:
PrestoSpace is the follow-up project of the EU-funded PRESTO project that was completed in October 2002. The project's main objective is to provide technical solutions and integrated systems for a complete digital preservation of all kinds of audiovisual collections. The main aim of PrestoSpace is to develop and launch actual facilities and services for audiovisual preservation. The project will start these preservation factories by preparing the business plan, contacting potential investors and working with commercial partners to set up the actual services. These services will exploit the technological and industrial results of the project. A strong economic factor supporting these preservation factories is a commitment by the major PrestoSpace consortium members to use these services. It will focus in detail on preservation, restoration, storage and archive management and metadata, delivery and access.
(Last update:
24-02-2005)
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Training
Graduate Certificate in Audiovisual Archiving (distance education)
Organisation(s):
ScreenSound Australia, the National Screen and Sound Archive
Description:Education for Archivist
Person to contact:
Professor Ross Harvey, School of Information Studi
Telephone: +61 2 69 33 23 69
Fax:
+61 2 69 33 27 33
E-mail: rossharvey@csu.edu.au
Information: ScreenSound Australia, the National Screen and Sound Archive
and Charles Sturt University (CSU) offer four subjects which lead to the award of a Graduate Certificate in Audiovisual Archiving. All subjects are available in distance education mode through the Internet. Working practitioners can complete the program in their own time over two years. The online delivery mode means that this program is accessible to international students who participate in an international forum. Students who enrol in them must have regular access to a networked computer in order to access the material online and to participate in online discussions.
The subjects are:
INF430 Audiovisual Archiving: provides an overview of the discipline,
including its history, philosophy and ethics, the development of and models for audiovisual archives, and international organisations responsible for audiovisual heritage.
INF431 Preservation of Audiovisual Materials: focuses on preservation =
and conservation requirements for audiovisual materials.
INF432 Advanced Audiovisual Archiving: considers a range of contexts,
comparing systems that have been developed specifically for these media
with those adapted from library, archival or museum approaches; examines how policies, criteria and mechanisms have been devised to ensure appropriate coverage of evidential and research material in line with organisational objectives.
INF434 Readings in Audiovisual Archiving: provides students with the
opportunity to study in depth a topic in the field of audiovisual archiving which is of particular interest to them. Students select a specific area which requires both broad understanding and in-depth analysis, and prepare a detailed literature review.
The subjects are offered in the following sequence:
Session I (February to June): INF430 Audiovisual Archiving, INF431
Preservation of Audiovisual Material
Session II (July to November): INF432 Advanced Audiovisual Archiving, INF434 Readings in Audiovisual Archiving
The fee for each subject in 2005 is A$1250. Subjects can be studied as
part of the Graduate Certificate in Audiovisual Archiving or as single
subjects.
Applicants must have an undergraduate degree; or must be able to demonstrate that their professional experiences and/or other qualifications are the equivalent of an undergraduate degree. Students must also meet minimum English Language proficiency standards.
Website: http://www.csu.edu.au/faculty/sciagr/sis/lib_infomanag/udio_visual_arch.htm
(Last update:
15-09-2005)
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MA Program in Conservation of New Media and Digital Information
Organisation(s):
Staatliche Akademie der Bildenden Künste Stuttgart (The State Academy of Fine Arts, Stuttgart)
Description:Education in Conservation
Person to contact:
Dipl.-Ing. Klaus Pollmeier (Program Coordinator)
Telephone: ++49-711-284 40 322
Fax:
++49-711-284 40 225
E-mail: info@mediaconservation.org
Information: The Stuttgart Academy of Fine Arts is now accepting applications for
its new international Master-Degree program 'Conservation of New
Media and Digital Information (M.A.)' for
the winter semester 2006 (lectures will begin 16 October 2006)and
the summer semester 2007.
Application deadlines: for the winter semester 30 June 2006
for the summer semester 15 January 2007.
Foreign applications may have to provide certain documents before these dates. They should check the admission regulations and/or contact the program administration directly.
This two-year program will provide a graduate qualification (Master
of Arts) for professionals in the field of media preservation. It
will open new perspectives regarding the long-term preservation of
modern cultural heritage, like photographs, video records, and
digital information as forms of fine art, and archival and library
heritage.
The program is targeted towards professionals with a university
degree (B.A. or equivalent) in museum, archive or library science,
computer science, art history, media science, museology,
conservation or related fields. The curriculum's structure and content was chosen to enable a heterogeneous group of students with different preliminary knowledge to acquire the necessary technological and theoretical knowledge, and to support special individual interest. It focuses on a balance between theory- and application-oriented skills. All modules are rated according to the European Credit Transfer System (ECTS).
Tuition fee: 1,500 Euros per semester. Other fees (e.g. for registration) may apply.
The faculty will be internationally known specialists from major research institutions, archives, libraries, universities and the industry.
Class language will be in English and German.
Website: http://www.mediaconservation.org
(Last update:
09-06-2006)
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Master in audiovisual documentation (Máster en documentación audiovisual)
Organisation(s):
Universidad Carlos III de Madrid
Description:Special Training Courses
E-mail: mdoca@ceaes.uc3m.es
Information: The master program is jointly organized by the Universidad Carlos III de Madrid and the Instituto Oficial de Radio Televisión (Grupo RTVE - http://www.rtve.es/portal/entrada/index.php). It aims to give high-level training to professionals in the audiovisual sector(producers and distributors of content for the Internet, audiovisual media, press and documentation centres, film production companies etc.)
Among other things students learn to edit multimedia audiovisual documents. For the full program in Spanish see:
http://www.uc3m.es/uc3m/gral/TC/ESMA/ESMA25/programa.html
Website: http://www.uc3m.es/uc3m/gral/TC/ESMA/ESMA25/esma25
(Last update:
10-02-2005)
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Preservation and Presentation of the Moving Image
Organisation(s):
Graduate School for Humanities
Description:Special Training Courses
E-mail: graduateschoolhumanities-fgw@uva.nl
Information: The Professional Master's programme "Preservation and Presentation of the Moving Image" is intended to teach the practical skills and theoretical knowledge necessary to archive audiovisual material (film, video, digital media) in an institutional context and to present it to a public. The first year focuses on the history and theory of media as well as on the historical and contemporary practices of programming and archiving. The knowledge acquired in the first year will be put into practice during a 10 to 14 weeks period of work experience in the second year.
The curriculum consists of 7 modules, a thesis and a significant portion of work placement. The forms of teaching vary, and include lectures, seminars, field trips, labs and individual guidance. The teachers are drawn from the university's academic staff and from specialists in the field of preservation and presentation of audiovisual material. The curriculum entails 80 ECTS comprising the following modules:
Media Archaeology (10 ECTS- sem. 1)
Preservation and the Archive I + II (10 ECTS- sem .1)
Film Theory (5 ECTS- sem. 1)
Digital Media (5 ECTS- sem. 1)
Seminar Audiovisual Sources (10 ECTS- sem.2)
Museum Cultures and Exhibition Practices (10 ECTS- sem. 2)
Thesis (10 ECTS- sem. 2)
Work Placement (20 ECTS- sem 1. 2nd year)
Website: http://www.hum.uva.nl/gs/object.cfm?objectid=C072D3A3-29E6-4F62-9CA37F10D57AF0FB
(Last update:
22-08-2005)
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Discussion lists
AMIA-L. Association of Moving Image Archivists
Target group:
Moving Image Archivists
How to subscribe: Subscription: go to the website at http://lsv.uky.edu/archives/amia-l.html or email to mailto:Listserv@LSV.UKY.EDU:
'Subscribe AMIA-L First name Last name'
Association for Recorded Sound Collections (ARSC)
Target group:
those interested in preserving, documenting, and making accessible the history of recorded sound.
How to subscribe: go to the website at: http://www.arsc-audio.org/arsclist.html
IASA Listserv
Target group:
IASA members
How to subscribe: go to the IASA website: http://www.iasa-web.org/iasa0007.htm
Section on Audiovisual and Multimedia discussion list (SCAVM-L)
Target group:
Audio-visual professionals in libraries
How to subscribe: Online registration at http://infoserv.inist.fr/wwsympa.fcgi/info/scavm-l
VisualMat Listserv
Target group:
professional archivists and visual materials catalogers. The list is open to all with an interest in image collections and their preservation, arrangement, description, and use.
How to subscribe: go to the website of the Society of American Archivists (SAA), VisualMat Listserv Terms of Participation.
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